Director: Jack MessittRating: 4/5
Some people are afraid of horror movies, because in the back of their minds, they think it's real, and that the killer will come for them. But in this case, that fear is perfectly reasonable. The Avenue movie theater was having a midnight showing of a forty year old horror movie called The Dark Beneath. Not many people showed up for it. There was a biker couple, four friends, two police officer, and a little boy. The four friends were Bridgit, the manager of the theater; Bridgit's boyfriend, Josh; and Mario and his girlfriend. Bridgit's little brother Timmy was in on the action as well. Their movie started off normal: a group of friends with car trouble going into a strange house for help. The kids started dying off one by one, of course, but there was a twist. And certain points in the movie, the screen would twitch, and the cameras would switch to somewhere inside the movie theater. The cameras followed a theater patron, and the movie-viewers had the pleasure of watching their friends die. Once the killer was done with them, he would take them back inside the movie, and throw them into the basement with the rest of his victims. He could move between the movie and the real world, taking people with him each time. The problem was that, in a movie, no one really dies. So, no matter what he did to them, they couldn't die. They had to live in pain, while he tortured them endlessly. The only way to get out of that torture was to escape the movie before the end credits rolled.
I really enjoyed this one. It was a cool kind of alternate reality deal, but it managed to not be stupid. The killer was delightfully creepy, with his skull-face and shuffling walk; his mother also played a part in the murders and she was reminiscent of Mrs. Bates herself. The characters were likable and everything was really well done. The killer's weapon of choice was a giant handheld screw looking thing. I'm not sure what it was exactly, but it was pretty awesome. He used it to gut, stab, slice, and even electrocute. A Mr. Radford created the movie, and we first met him in a mental hospital (where he watched the movie, bit a chunk out of his own wrist and drew symbols in his own blood; then he killed pretty much everyone in the facility). He'd created some kind of threshold, I suppose, where nothing is fake and every horror is real. It was definitely interesting and very enjoyable.
Directors: Fred Calvert & David J. Negron, Jr.
A man who may or may not have been a policeman told Rick that he was a serial killer. Ariel was Rick's mother's name, and Rick was re-living the night his parents were killed. He hated his mother, and thought that he was saving his father from her evil. He killed seven different women, but he believed he was killing Ariel repeatedly. The end left things a bit open, though. It left me wondering...was Rick a psychopathic serial killer, or was there really a demon succubus after him? Since I'd been with Rick since the beginning of the story, I'm tempted to believe the demon was real. But it really could have gone either way. I know many serial killers kill believing (or pretending) that they're killing the same woman, so it is not unlikely.
Director: Paul Solet
This was definitely an interesting movie. Madeline was a wonderful mother, and she was willing to do anything to be sure that her baby would be happy and healthy, even if that meant sacrificing her own health. She was willing to go to extreme lengths to ensure Grace's well-being, and she never questioned her child's strange appetite. This movie is meant to be "chilling," and I think it could have done better. It was a little creepy, with the vampire baby and all, but it could have done so much more. I hate when I watch a movie and think that it could have done more. This story was wonderful, but I can imagine things that would have made it better. I wish it would have been done differently, because I think that would have made it an absolutely wonderful movie. With a little more atmosphere, it could have been terrifying. Overall, it was a good movie but it fell a little short of its potential. One thing I did like: she killed that bitch Vivian, which I wold have done way before she did.
Director: Robert Scott
Apparently the best defense against the video dead is mirrors. Zombies don't like their reflections, and mirrors instantly repel them. Oh, and the zombies don't eat people. They just want to kill the living because...well, because they're jealous. They wish they were alive, and if they can't be neither can anyone else. That's also why they don't like their reflections: it reminds them of what they are. So, as Joshua informs Jeff, they're pretty easy to take down. You can take them down just like you would a regular human. Because they're convinced that they are alive, they will become big babies and freak out, thinking they're dying. When they're down, squirming on the ground, you can chop 'em to pieces with a chainsaw. I'm guessing any sort of sharp object would have worked, but our heroes chose a chainsaw. Unfortunately, though they may think they are living, they are most certainly not. So, chopping their legs off will do no good, because they will just come back later. Joshua and Jeff get themselves killed, leaving Zoe at the house to fend off the zombies on her own. She toughs it out, showing no fear, and invites the zombies into the house. After feeding them a little bit of dog food, she lures them into the basement with the promise of a night of dancing. Once there, she traps them, saving the neighborhood and perhaps the whole world. Or not.
Director: Eli Roth
Most of the time, I complain when a movie doesn't have enough story, or explanation as to why things are happening. But in Hostel, it works for me. Things are what they are, and they actually don't really need any explanation. The guys are in Europe, which I think was effective. Most Americans don't really know much about Europe, so it makes it a bit exotic. It also allows us to maybe believe that crazy shit like this actually happens there. Plus, hot European chicks? Yes, please. Senseless violence and torture without reason can grant entertainment to some people. It is not a mind-blowing experience; it is not thought-provoking; it is not life altering. But who cares? Not all horror has to be deep and meaningful, or artsy fartsy, or whatever else all the critics love. It's meant to entertain, and Hostel does just that. It's interesting, and it appeals to gore whores like myself. I think movies like this are called torture porn, which sounds like my kind of movie. So if you're a freak like me, and you want to watch people being put through unimaginable amounts of pain for no apparent reason--check out Hostel.
Director: Dario Argento
Yeah, there are plot holes in this. Or at least, things that make the story a little bit silly. A police officer refusing to go to the police after folks are murdered in his house, for instance. And why doesn't Frank kill her in the seclusion of their little shack, instead of outside where he's sure to be stopped? It seems to be a never-ending cycle, with Jenifer simply finding new men to seduce into keeping her dirty little secret. Some parts of it are silly, yes, but I don't care. It was entertaining, and that's all I'm worried about. So what is Jenifer exactly? I wouldn't call her a zombie, because she seems very much alive to me. I don't think she was just a crazy person either. The most likely explanation to me seems that she's one of those "hillbilly" types. Born of incest and forced to live in solitude, she (and perhaps her unknown family?) was forced to resort to cannibalism. Of course, she could've have been a cannibalistic mutant from outer space. Only the writers know the answer, but one thing's for sure. Don't mess with girls named Jenifer. I haven't yet found an episode of MoH that I absolutely didn't like. There have been episodes that I liked more than others, but overall I'm a huge fan and they never disappoint.
Director: Wes Craven
There were nods to previous horror movies as well, of course--whether it was a part of the game, or in other aspects of the movie. There were questions asked about Halloween and Friday the 13th; there were mentions of Psycho, and Silence of the Lambs; there was even a janitor dressed just like Freddy Kreuger. I also think the cast was killer in this one. We had Drew Barrymore, David Arquette, Courteney Cox, Henry Winkler, Rose McGowan, Jamie Kennedy, and Matthew Lillard (who is still one of my favorite actors of all time). Everyone did an amazing job, and this will always be, in my opinion, one of the greatest horror movies ever made.
Director: Israel Luna
Thanks to Fergus, the man who owns the club where they work, they are now masters of martial arts. So, it's safe to say that these assholes are in for the night of their lives. The girls have sort of an unorthodox way of getting their revenge, but hey--it works! What better way to hurt an intolerant asshole than by putting something in it? The girls turn their game around on them, and a pretty epic battle follows.
Director: Kevin Connor
The monk tells them that there are evil spirits dwelling in their home, but just how evil are the spirits? Personally, they seem more like pranksters than evil ghosts to me. They enjoy causing mayhem in the house, yes, but they don't cause any actual harm themselves. What they do is possess people and force them to do things they wouldn't normally do. Their main focus is on Mrs. Ted. The lady-ghost--Otami, I think her name was--possesses Mrs. Ted and makes her all but tell her husband she wants to jump Alex's bones. And then Otami makes her do just that. She begins an affair with her husband's best friend, calling him every time Ted leaves the house.
They force the men to have a pretty epic battle (and by epic, I mean stupid), which doesn't end well for anyone involved. So I guess the lesson to be learned from this one is that not all ghosts want to kill you; some just want to tear your family apart. For shits and giggles, I guess. Maybe they didn't want anyone new living in their home. I'm not sure, because it didn't really get into all that. But the stupidity of the story really isn't the worst part. I can deal with stupid movies, trust me. In fact, in a lot of cases, I friggin' love 'em. This could have worked, but sadly it didn't. Where it failed was simply in the entertainment department. There was nothing interesting here. The characters were dull, the acting wasn't all that great. The story could have been at least a little bit interesting, but the way it was executed made it painfully boring. The one thing I did like was a set of masks that Mrs. Ted bought at the market in town. They were beautiful, and just a little bit frightening. I'd like some of those masks, but I'll pass on this movie.
Director: Rolfe Kanefsky
One of my favorite parts in this was when one of the kids lost his tongue in a bit of sexual rendezvous. When confronted by a professor-possessed Doug, he was asked: [pardon my language] "What's wrong, pussy got your tongue?" This gained a bout of raucous laughter from me. This movie was filled with humor, silly situations, and just about every horror movie cliche there is. It was funny, the gore was pretty good, and it was definitely entertaining. To put it simply, The Hazing is a great movie. I was pleasantly surprised, as I've gotten to the point that I don't expect too much these days. It's nice to be able to find a horror movie that is entertaining and doesn't seem to last four hours (you know what I mean. A bad movie seems to last forever, where as a good one doesn't last long enough). And I must say that Marsha (played by Tiffany Shepis, who I realized is a Tromette, which makes it even better) is pretty freakin' hot. My favorite character actually made it through the movie without getting killed, which doesn't happen very often. On an unrelated note, this one also stars Parry Shen, who you might recognize as the tour guide from Hatchet, and Brad Dourif (I've just realized who he is) as the crazy professor. Overall, this is a wonderful movie, and I'm sad that it took me almost ten years to finally watch it.
Director: Jesse T. Cook
I was starting to get a little nervous, because I wasn't getting any new followers and pretty much no comments whatsoever. But I guess no comments doesn't mean that no one's reading. Or at least someone thinks of me when award time comes around, and I'm really grateful for that! It makes me feel so special inside. This Liebster award comes from Dr. Blood over at
Director: Dae-wung Lim
There were many good things going on in this one. First and foremost, the gore. This is the most gore I've seen in a serious Asian horror film. There are those that are meant to be silly, and they are almost always full of gore. But the more serious ones, the ones meant to actually frighten, usually rely on jump-scares and an eerie atmosphere. In that way, Bloody Reunion was very different. Also, it was a slasher movie! I have never seen an Asian slasher movie, so that was refreshing. The rabbit mask. Mrs. Park's son wore a bunny mask to cover his deformed face. It sounds kind of silly on paper, but it was actually pretty frightening. I also liked the character development. Each of the kids' stories concerning Mrs. Park were interesting and I was able to relate to them. Each of them felt put down by her; they were made to feel as if they were not good enough, and they grew up trying to change themselves to fit the image she had set in their minds. She ruined their lives. The story was a good one, but that's nothing new with Asian horror. And I must say: the kills. This little rabbit-man was truly vicious! He looked to be small, but he definitely was not weak.
I know I already said this in the "good" section, but I believe it belongs here as well: the rabbit mask. It is definitely strange, but in a most awesome way. Overall, Bloody Reunion is a great movie, with elements not typical for Asian horror, and it was a nice ending to the foreign movie challenge.
Director: Michael Haneke
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Director: Jim Wynorski