Director: Michael FeiferRating: 3/5
Rachel Beckwith was a successful investigative reporter. In the world of horror, that's actually a pretty dangerous job to have. One night, someone who was obviously angry about one of her stories, broke into her house and killed her fiance. The death of her soon to be husband led her to move back home with her parents, George and Marge. It also led her to a new reporting job, and that job led her to a haunted house. She was supposed to do a story about the architecture of nearby houses, but she never got any farther than that one house. She kept seeing the apparitions of a family that lived there twenty-five years ago. There was a crazy doctor, Frank Sullivan, who performed some unorthodox surgeries in his basement and killed his entire family. Well, almost his entire family; his youngest child, Elizabeth, survived and was sent to foster care. Even though Rachel was frightened and thought she was losing her mind for a minute, she just couldn't stay away from the house. She said that it was calling her. With her new boss (and possibly her new boyfriend), she set out to find answers to the mystery of the murders in the house. Meanwhile, Frank Sullivan escaped from prison, and he set out to find his surviving daughter, Elizabeth. Rachel eventually found out some unsettling news about her true parentage, and it seemed like she was the only one who could possibly give the Sullivan ghosts peace.

I was interested in this one because of the cast. We had Sid Haig (Captain Spaulding from House of 1000 Corpses) as Rachel's father, Leslie Easterbrook (Mother Firefly from House of 1000 Corpses) as Rachel's mother, and Bill Moseley (Otis from House of 1000 Corpses) as Sheriff Murkin. So, with all those wonderful people, I figured I should check it out. I thought it might be pretty damn good. It was cool seeing Captain Spaulding all cleaned up and domesticated, and Mother Firefly not being so damn creepy. Otis looked a lot different without the long blond hair, and the only reason I knew for sure it was him was his voice. But I'm getting off topic. Was I right? No, not really. The movie was okay, but it really wasn't all that great. The big surprise about Rachel being adopted was revealed to soon, in my opinion. It should have waited and had more of a buildup. It was also kind of anticlimactic. Also, as soon as she realized she was adopted, she knew right away who her parents were. I think it would have been better had she found out directly from the source, and had been just as shocked as the rest of us. I, personally, was not shocked at all. It was predictable.
I always find something wrong with the movies I watch. I'm starting to feel kind of like a bitch, and it's kind of upsetting me. I don't know why I'm suddenly so picky. Why can't I just watch and enjoy? I think I've seen so many horror movies by now that I've got my own idea of how I want them to go. I don't know, but I'd like to find some more out there that I can just enjoy without having to find something that could have been done better. But oh well. You win some, you lose some, as they say. A Dead Calling was an okay movie. It had a pretty good story and good acting, but it lacked atmosphere and suspense. More of a drama than anything, it didn't impress me as much as the cast led me to believe it would.
Director: Mike Flanagan
Callie did some research and found out that a ton of people disappeared from that neighborhood, all around the area of the tunnel. People had been disappearing there for around a hundred years. She knew there was some kind of connection, that there was some sort of mythical creature in the tunnel that was taking people away. But of course, no one would believe her. Tricia just thought she was drugged out. That was until the creature showed up at their house again, and spirited Tricia away. The police, again, just thought that Callie was on drugs and didn't know what she was talking about. So, she decided to take matters into her own hands. She went into the tunnel and attempted to make a "trade." But, we all know, evil spirits and/or creatures aren't very interested in trades.
Director: John Landis
The transformation scenes are actually pretty good. We see almost every bit of the transformation, and it isn't as bad as you might think the '80s would produce. The werewolf itself, though, is a different story. It's not that bad, but it's not that great either. It's kind of weird looking. Anyways, David has to figure out how keep himself from killing everyone in London, while keeping his new girlfriend (the nurse who cared for him in the hospital) safe. He is constantly visited by Jack, who keeps trying to convince David to take his own life. He introduces him to all the people he killed, and they each try to convince him as well. He tries once, after he woke up naked in a zoo, but he just can't do it. So, in the end, David will have to be stopped the same way as all the werewolves before him.
Director: Wolfgang Bueld
While Helen is trying to satisfy her hungry vagina, Dennis is falling in love with one half of a set of Siamese twins. One twin, Silvia (who Dennis falls in love with) is a sweet bookworm. The other, Sonya, is kind of a bitch. Sonya ruins their attempts at love-making, and Dennis decides the only way to remedy the situation is by separating them. He figures the best way to do this is with an electric kitchen knife. However, everything goes wrong and he accidentally kills Sonya. Things were bad before this because he also accidentally had sex with Sonya (watch the movie to see how that happened). But, since he's now a murderer, Dennis has to go on the run. He meets up with a stripper and they decide to rob a bank. They go on the run on some island, until they meet up with Helen and her new husband. Helen and John are on their honeymoon in an RV, and John is very frustrated that Helen refuses to sleep with him (little did he know it was for his own good). He turns out to be a creep too, but he and the psycho stripper end up blowing up inside that RV. Anyways, Dennis and Stripper hijack the RV, and tie up the honeymooners. It takes Dennis quite a while to realize that he's taken his one true love hostage. Once he does, though, all is well. Well, almost. Not only is there the issue of the killer vagina, but Dennis is also on the run from the police. Stripper wants to kill them for ruining her plans to get rich, and Silvia is also seeking revenge for the murder of her sister. But a little digging and a trip down memory lane (to the childhood trauma that started the dentata), Helen might be able to overcome her obstacles and save them both, so that they can finally be together.
Director: Amir Valinia
A lot of people really hate this movie because of the bad CGI, but I think it was pretty good. It wasn't hollywood standard, but who gives a shit? It definitely wasn't the worst I've ever seen. It also starred Lochlyn Munro, who I always enjoy. I believe that Alligator X was supposed to be a liopleurodon (which is actually the prehistoric ancestor of the crocodile or alligator, I can't remember which), though they refer to her as a pliosaur. First of all, I have to say that I LOVE liopleurodons (and no, not because of Charlie the unicorn, but because of watching Prehistoric Planet), so I was really excited to see something like this. The only problem I had was that she didn't seem big enough. Liopleurodons are around 10 meters long, and their jaws alone would make two of me (ten feet). They could swallow a school bus whole. They ate dinosaurs, for Pete's sake. I would have thought she would have been bigger, but maybe that's just me. I'm not saying she wasn't big; she was definitely huge. But I would have liked to have seen something really, really huge. Overall, I enjoyed it because I enjoy liopleurodons. The acting of some people could have been better, but I really don't care about things like that. So, if you're a dinosaur (or prehistoric reptile) lover like me, you should enjoy this one as well. I just wonder how in the hell something that big could live comfortably in a swamp.
Director: Walter Grauman
Like I said, this isn't much of a horror movie. It was made for TV, so it's sort of like a woman-empowering after school special. It's got a good moral story, and good lesson to teach to women: don't be weak and fight for what you know is right. The cast was great (and included a very young and not very nice Dennis Quaid), and the relationships between Gail and her co-stars were incredible. It was very believable; it just wasn't horrifying. I know you're thinking, "Hey! Rape is very horrifying!" Yes, it is. But at the end of the day, Gail (or whoever was playing her) could have a drink with her attacker knowing that he didn't do a damn thing to her. Rape is horrible in the real world. My point is this...there was no suspense. To me, it was obvious who the bad guy was the entire time; I was just waiting for him to come out and show himself. It was slow and boring, and if a movie is going to call itself horror, it cannot be slow. Or at least, the slow pace should go along nicely with the story. It didn't work for me here. If I had gone into this thinking here's a nice drama movie about a young girl overcoming adversity, I probably would have liked it. But I went into it thinking it was an older version of When A Stranger Calls (a movie that frightened me a bit). So I was expecting at least a little bit of bloodshed. I was waiting for some action that never happened. I was very disappointed in this one, and I think Netflix should remove it from its "horror" section. There's nothing horror about it. I should also point out that it was based on a novel, and I feel the story is much better suited for that. Slow pacing works in books, not in movies.
Director: Adam Gierasch
This one is pretty gruesome, and if you've got a weak stomach you should probably just pass on it. The gore is well done and had me cringing a little bit. There's also some pretty spooky parts (not involving the doctors, but the other patients). Everything was really well done, and the characters were great. I liked all of them, and I didn't want any of them to be harmed. But of course, it wouldn't be much of a horror movie if no one got hurt. I've been doing a good job choosing movies lately, and I've picked some pretty good ones. I really enjoyed this, even though the story has been done quite a lot. There's just something about hospitals. Doctors are supposed to be there to help you. So when they go crazy and decide to kill you...that idea is terrifying. They've got all sorts of equipment, and the knowledge of how to use it. If they lock you up in the hospital so you've got no way to escape, and they're hell-bent on causing excruciating pain...I can't even imagine. But there's something terrifying about it. Overall, I really enjoyed this movie. So check it out if your stomach can handle it.
Director: Jack Messitt
I really enjoyed this one. It was a cool kind of alternate reality deal, but it managed to not be stupid. The killer was delightfully creepy, with his skull-face and shuffling walk; his mother also played a part in the murders and she was reminiscent of Mrs. Bates herself. The characters were likable and everything was really well done. The killer's weapon of choice was a giant handheld screw looking thing. I'm not sure what it was exactly, but it was pretty awesome. He used it to gut, stab, slice, and even electrocute. A Mr. Radford created the movie, and we first met him in a mental hospital (where he watched the movie, bit a chunk out of his own wrist and drew symbols in his own blood; then he killed pretty much everyone in the facility). He'd created some kind of threshold, I suppose, where nothing is fake and every horror is real. It was definitely interesting and very enjoyable.
Directors: Fred Calvert & David J. Negron, Jr.
A man who may or may not have been a policeman told Rick that he was a serial killer. Ariel was Rick's mother's name, and Rick was re-living the night his parents were killed. He hated his mother, and thought that he was saving his father from her evil. He killed seven different women, but he believed he was killing Ariel repeatedly. The end left things a bit open, though. It left me wondering...was Rick a psychopathic serial killer, or was there really a demon succubus after him? Since I'd been with Rick since the beginning of the story, I'm tempted to believe the demon was real. But it really could have gone either way. I know many serial killers kill believing (or pretending) that they're killing the same woman, so it is not unlikely.
Director: Paul Solet
This was definitely an interesting movie. Madeline was a wonderful mother, and she was willing to do anything to be sure that her baby would be happy and healthy, even if that meant sacrificing her own health. She was willing to go to extreme lengths to ensure Grace's well-being, and she never questioned her child's strange appetite. This movie is meant to be "chilling," and I think it could have done better. It was a little creepy, with the vampire baby and all, but it could have done so much more. I hate when I watch a movie and think that it could have done more. This story was wonderful, but I can imagine things that would have made it better. I wish it would have been done differently, because I think that would have made it an absolutely wonderful movie. With a little more atmosphere, it could have been terrifying. Overall, it was a good movie but it fell a little short of its potential. One thing I did like: she killed that bitch Vivian, which I wold have done way before she did.
Director: Robert Scott
Apparently the best defense against the video dead is mirrors. Zombies don't like their reflections, and mirrors instantly repel them. Oh, and the zombies don't eat people. They just want to kill the living because...well, because they're jealous. They wish they were alive, and if they can't be neither can anyone else. That's also why they don't like their reflections: it reminds them of what they are. So, as Joshua informs Jeff, they're pretty easy to take down. You can take them down just like you would a regular human. Because they're convinced that they are alive, they will become big babies and freak out, thinking they're dying. When they're down, squirming on the ground, you can chop 'em to pieces with a chainsaw. I'm guessing any sort of sharp object would have worked, but our heroes chose a chainsaw. Unfortunately, though they may think they are living, they are most certainly not. So, chopping their legs off will do no good, because they will just come back later. Joshua and Jeff get themselves killed, leaving Zoe at the house to fend off the zombies on her own. She toughs it out, showing no fear, and invites the zombies into the house. After feeding them a little bit of dog food, she lures them into the basement with the promise of a night of dancing. Once there, she traps them, saving the neighborhood and perhaps the whole world. Or not.
Director: Eli Roth
Most of the time, I complain when a movie doesn't have enough story, or explanation as to why things are happening. But in Hostel, it works for me. Things are what they are, and they actually don't really need any explanation. The guys are in Europe, which I think was effective. Most Americans don't really know much about Europe, so it makes it a bit exotic. It also allows us to maybe believe that crazy shit like this actually happens there. Plus, hot European chicks? Yes, please. Senseless violence and torture without reason can grant entertainment to some people. It is not a mind-blowing experience; it is not thought-provoking; it is not life altering. But who cares? Not all horror has to be deep and meaningful, or artsy fartsy, or whatever else all the critics love. It's meant to entertain, and Hostel does just that. It's interesting, and it appeals to gore whores like myself. I think movies like this are called torture porn, which sounds like my kind of movie. So if you're a freak like me, and you want to watch people being put through unimaginable amounts of pain for no apparent reason--check out Hostel.
Director: Dario Argento
Yeah, there are plot holes in this. Or at least, things that make the story a little bit silly. A police officer refusing to go to the police after folks are murdered in his house, for instance. And why doesn't Frank kill her in the seclusion of their little shack, instead of outside where he's sure to be stopped? It seems to be a never-ending cycle, with Jenifer simply finding new men to seduce into keeping her dirty little secret. Some parts of it are silly, yes, but I don't care. It was entertaining, and that's all I'm worried about. So what is Jenifer exactly? I wouldn't call her a zombie, because she seems very much alive to me. I don't think she was just a crazy person either. The most likely explanation to me seems that she's one of those "hillbilly" types. Born of incest and forced to live in solitude, she (and perhaps her unknown family?) was forced to resort to cannibalism. Of course, she could've have been a cannibalistic mutant from outer space. Only the writers know the answer, but one thing's for sure. Don't mess with girls named Jenifer. I haven't yet found an episode of MoH that I absolutely didn't like. There have been episodes that I liked more than others, but overall I'm a huge fan and they never disappoint.
Director: Wes Craven
There were nods to previous horror movies as well, of course--whether it was a part of the game, or in other aspects of the movie. There were questions asked about Halloween and Friday the 13th; there were mentions of Psycho, and Silence of the Lambs; there was even a janitor dressed just like Freddy Kreuger. I also think the cast was killer in this one. We had Drew Barrymore, David Arquette, Courteney Cox, Henry Winkler, Rose McGowan, Jamie Kennedy, and Matthew Lillard (who is still one of my favorite actors of all time). Everyone did an amazing job, and this will always be, in my opinion, one of the greatest horror movies ever made.
Director: Israel Luna
Thanks to Fergus, the man who owns the club where they work, they are now masters of martial arts. So, it's safe to say that these assholes are in for the night of their lives. The girls have sort of an unorthodox way of getting their revenge, but hey--it works! What better way to hurt an intolerant asshole than by putting something in it? The girls turn their game around on them, and a pretty epic battle follows.
Director: Kevin Connor
The monk tells them that there are evil spirits dwelling in their home, but just how evil are the spirits? Personally, they seem more like pranksters than evil ghosts to me. They enjoy causing mayhem in the house, yes, but they don't cause any actual harm themselves. What they do is possess people and force them to do things they wouldn't normally do. Their main focus is on Mrs. Ted. The lady-ghost--Otami, I think her name was--possesses Mrs. Ted and makes her all but tell her husband she wants to jump Alex's bones. And then Otami makes her do just that. She begins an affair with her husband's best friend, calling him every time Ted leaves the house.
They force the men to have a pretty epic battle (and by epic, I mean stupid), which doesn't end well for anyone involved. So I guess the lesson to be learned from this one is that not all ghosts want to kill you; some just want to tear your family apart. For shits and giggles, I guess. Maybe they didn't want anyone new living in their home. I'm not sure, because it didn't really get into all that. But the stupidity of the story really isn't the worst part. I can deal with stupid movies, trust me. In fact, in a lot of cases, I friggin' love 'em. This could have worked, but sadly it didn't. Where it failed was simply in the entertainment department. There was nothing interesting here. The characters were dull, the acting wasn't all that great. The story could have been at least a little bit interesting, but the way it was executed made it painfully boring. The one thing I did like was a set of masks that Mrs. Ted bought at the market in town. They were beautiful, and just a little bit frightening. I'd like some of those masks, but I'll pass on this movie.
Director: Rolfe Kanefsky
One of my favorite parts in this was when one of the kids lost his tongue in a bit of sexual rendezvous. When confronted by a professor-possessed Doug, he was asked: [pardon my language] "What's wrong, pussy got your tongue?" This gained a bout of raucous laughter from me. This movie was filled with humor, silly situations, and just about every horror movie cliche there is. It was funny, the gore was pretty good, and it was definitely entertaining. To put it simply, The Hazing is a great movie. I was pleasantly surprised, as I've gotten to the point that I don't expect too much these days. It's nice to be able to find a horror movie that is entertaining and doesn't seem to last four hours (you know what I mean. A bad movie seems to last forever, where as a good one doesn't last long enough). And I must say that Marsha (played by Tiffany Shepis, who I realized is a Tromette, which makes it even better) is pretty freakin' hot. My favorite character actually made it through the movie without getting killed, which doesn't happen very often. On an unrelated note, this one also stars Parry Shen, who you might recognize as the tour guide from Hatchet, and Brad Dourif (I've just realized who he is) as the crazy professor. Overall, this is a wonderful movie, and I'm sad that it took me almost ten years to finally watch it.
Director: Jesse T. Cook
I was starting to get a little nervous, because I wasn't getting any new followers and pretty much no comments whatsoever. But I guess no comments doesn't mean that no one's reading. Or at least someone thinks of me when award time comes around, and I'm really grateful for that! It makes me feel so special inside. This Liebster award comes from Dr. Blood over at
Director: Dae-wung Lim
There were many good things going on in this one. First and foremost, the gore. This is the most gore I've seen in a serious Asian horror film. There are those that are meant to be silly, and they are almost always full of gore. But the more serious ones, the ones meant to actually frighten, usually rely on jump-scares and an eerie atmosphere. In that way, Bloody Reunion was very different. Also, it was a slasher movie! I have never seen an Asian slasher movie, so that was refreshing. The rabbit mask. Mrs. Park's son wore a bunny mask to cover his deformed face. It sounds kind of silly on paper, but it was actually pretty frightening. I also liked the character development. Each of the kids' stories concerning Mrs. Park were interesting and I was able to relate to them. Each of them felt put down by her; they were made to feel as if they were not good enough, and they grew up trying to change themselves to fit the image she had set in their minds. She ruined their lives. The story was a good one, but that's nothing new with Asian horror. And I must say: the kills. This little rabbit-man was truly vicious! He looked to be small, but he definitely was not weak.
I know I already said this in the "good" section, but I believe it belongs here as well: the rabbit mask. It is definitely strange, but in a most awesome way. Overall, Bloody Reunion is a great movie, with elements not typical for Asian horror, and it was a nice ending to the foreign movie challenge.